VERONICA
GALANTER
Veronica
Galanter
STUDIO PRACTICE & PROCESS
UNDERCOAT
For oil paintings, I begin with an undercoat, diluting the paint with turpentine or Gamsol. This initial layer establishes color harmony before applying the final paint layers. It also removes the intimidating bright white canvas and prevents small specks of white from showing through the finished piece. I usually choose a color prominent in the composition or a complementary hue to enhance vibrancy. I paint from dark to light, since it’s easier to layer bright, opaque highlights over thin shadows.
FIRST LAYER
FINISHED PIECE
For watercolor or gouache pieces, I usually begin with a light pencil sketch before putting the first layer. I tend to work in sections, slowly building color and brushstrokes using a wet-on-wet technique. I like my colors to remain vibrant and distinct rather than blending too much.
SKETCH
FINISHED WORK
